Jordan Klassen – Glossolalia [Streaming]

Jordan Klassen released his seventh album called Glossolalia.
10 tracks of beautiful artsy and orchestral pop music that we are accustomed to from the Vancouver musician.

About the album:
Glossolalia is classic and essential Jordan Klassen: ethereal, dreamy, mystical, and reminiscent of times gone by and the folk singers of yore. This album is a lyrical essay, with each song like a chapter in a personal journal. ‘Glossolalia’ itself is the phenomenon of (apparently) speaking in an unknown language, more commonly called ‘speaking in tongues’.

The album is almost elegiac, with its pervasive sense of something that has been lost to the past. Perhaps it was inevitable that Klassen would produce this record now, reflecting on the promise we have all felt of something better just on the horizon, that has since been erased by life in a pandemic that has entered its third year. In Klassen’s own words on this record, “Everything is about longing – longing for change but trying to be realistic about change as well.”

The album’s lead single, “Milk And Honey”, hones in on this pining for nostalgia. It is a modern folk composition that explores the gap between the shadow and the light side of waiting. About this song, Klassen notes, “It is a strange thing to live in a time when everyone is looking ahead for things to return to normal, and wondering if you are failing or succeeding in that process. We want Utopia but forget that it is in the cracks and gaps that we often are transformed.”

Rather than becoming paralyzed by our desire for perfection, “Carried Away” is an exploration of what it’s like to jump into something with abandon, whether that takes one down dark pathways of the mind into mental illness and addiction, or being swept up by something that is good and right, like a greater cause, or falling in love. Either way, in retrospect we say that we “lost ourselves for a moment”, as we surrendered to forces too powerful to be contained.

Record opener “Lotusland” is an ode to Klassen’s hometown of Vancouver, but specifically, the Vancouver of yesteryears, before the city grew to become an overinflated and vastly different landscape of what it used to be; a former shell of itself, where the weight of the cost of living seemingly crushes its oldest inhabitants. As friends move away, the singer asks the city to convince him to stay, and laments what ‘West Coast living’ could have meant. Similarly, Klassen stays in that uncomfortable place of yearning in “Hard On Myself”. The song deals with the choice to take the road through life that represents the “third way”, in a world that is polarized and binary. This is a conscious movement away from religious rigidity, absolute certainty, and toxic black and white thinking. But the other road, “the road less traveled”, to quote Robert Frost, is one of strangeness and deconstruction, and there is a sadness in this choice as well. In

a contemporary take on a poetic classic, Klassen sings: “There are two roads where I’m standing, and each one has called itself good. But there’s light in the sky and I’ve got some supplies; I just might make my way through the woods.” Frost ruminated, “Two roads diverged in a wood, and I – I took the one less traveled by, And that has made all the difference.”


Glossolalia gets: 📷📷📷📷📷📷📷📷/10.

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