It’s that time of year to start revealing the Best of 2025 Canadian Albums.
Kicking things off with numbers 41 through 50, this stretch highlights a wide range of sounds—from indie rock and art-pop to experimental electronics and veteran songwriters still finding new angles.
From indie rock and art-pop to electronic and experimental edges, these albums helped shape Canada’s musical landscape in 2025.
41. Cootie Catcher – Shy at First
A charming, off-kilter indie pop record that leans into vulnerability and melody.
Shy at First balances playful hooks with emotional honesty, making it a quietly addictive listen.
42. Slash Need – Sit & Grin
Angular, jittery, and full of nervous energy, Sit & Grin delivers sharp post-punk riffs with a modern bite.
A record that thrives on tension and release.
43. Amy Millan – I Went to Find You
Millan returns with a deeply personal and reflective album, rich in warm arrangements and thoughtful songwriting.
An intimate, slow-burn record that rewards close listening.
44. Rochelle Jordan – Through the Wall
Smooth, atmospheric, and emotionally charged, Through the Wall blends R&B, electronic textures, and soulful vocals into a sleek, immersive experience.
45. Mac DeMarco – Guitar
Stripped back and meditative, Guitar feels like a quiet conversation with DeMarco himself.
Minimalist, loose, and introspective, it captures beauty in its simplicity.
46. Penny & the Pits – Liquid Compactor
Raw, noisy, and cathartic, this album explodes with punk energy and attitude.
Liquid Compactor is confrontational in the best way—loud, fearless, and unapologetic.
47. Purity Ring – Purity Ring
The duo refine their signature blend of dreamy electronics and pop hooks.
Ethereal yet grounded, this self-titled release feels both familiar and refreshed.
48. Julianna Riolino – Echo in the Dust
A beautifully crafted folk-rock album filled with rich storytelling and subtle arrangements.
Riolino’s songwriting shines with warmth and emotional depth.
49. Computer – Station on a Hill
Hypnotic and atmospheric, this record leans into experimental and electronic soundscapes.
Station on a Hill is immersive, moody, and quietly compelling.
50. Destroyer – Dan’s Boogie
Dan Bejar delivers another idiosyncratic chapter in the Destroyer catalog.
Wry, poetic, and unpredictable, Dan’s Boogie closes out this section with style and personality.
