The title “Wooden Arms” by Patrick Watson seems to encapsulate the naturalistic and earthy sound you describe, with a mix of experimental elements.
The fusion of folk and sci-fi, as mentioned by Watson himself, adds an intriguing layer to the album.
It’s interesting to note the cultural influences from touring around the world, especially in tracks like “Beijing” and the titular “Wooden Arms.”
The use of unconventional instruments, such as pots, pans, and cutlery, in certain tracks adds a distinct and creative touch.
The Icelandic influences reminiscent of Sigur Rós and the potential influence from touring with The Cinematic Orchestra in the instrumental track “Hommage” provide interesting context to the album’s sonic palette.
The variety of sounds and influences, from folk to pop acoustic to tribal beats in “Where The Wild Things Are,” showcase the album’s diversity and Watson’s willingness to explore different musical territories.
Observing the simplicity in production, despite Watson’s success, is intriguing.
It suggests a focus on the music itself rather than elaborate production, allowing the authenticity of the sound to shine through.
It’s clear that “Wooden Arms” has made a positive impression, even surpassing Close to Paradise
The combination of country-folk elements and Watson’s unique approach to music seems to have resulted in a compelling and enjoyable listening experience.
