Austra – HiRUDiN [Streaming]

Today, Austra dropped her fourth album called HiRUDiN via Domino.

While Austra’s third album, 2017’s Future Politics, was concerned with the external power structures that shape society.
HiRUDiN points inward, tracing a deeply personal journey towards regeneration, dealing with the fallout of toxic relationships, queer shame, and insecurity along the way.
Named after the peptide released by leeches that is the most potent anticoagulant in the world, HiRUDiN is about the importance of healing the self, letting go of harmful influences, and finding the power to rebuild.
Working in a studio in the Spanish countryside in early 2018, Stelmanis, who has been the sole producer for Austra in the past, was joined by co-producers Rodaidh McDonald and Joseph Shabason for the first time.

About the record:
Being in a toxic relationship can sometimes feel like being lost in a maze.
Every attempt to turn a corner lands you back where you started.
HiRUDiN is a bold acknowledgement of such patterns of behaviour and a testament to the power of breaking them.
She wrote, produced, and performed all her own records, occasionally sharing the spotlight with a band to tour live.
From the outside, things were going really well for a while: she built a devoted fan base and sold out shows all around the world.
However, on the inside, Stelmanis was beginning to feel stagnant and uninspired.
“I was losing faith in my own ideas,” she explains.
Without realising it, she’d got caught up in a toxic relationship that was tearing her apart.

It wasn’t until Stelmanis was ready to face her insecurities that she was able to see a way forward: “My creative and personal relationships were heavily intertwined, and I knew the only answer was to part ways with all of the people and comforts that I’d known for the better part of a decade and start again.”
Alongside making changes in her personal life, HiRUDiN saw Austra taking an entirely different, free-spirited approach to making a record. Stelmanis took a collage approach to sampling, arranging, writing and producing the songs on the record. Also, seeking out all new collaborators, she booked three days of sessions in Toronto with improv musicians she’d never met before. They included two thirds of contemporary classical improv group c_RL, the cellist and kamanche duo Kamancello, kulintang ensemble Pantayo, and a children’s choir.
Additionally, Stelmanis brought in David Wrench and Heba Kadry to mix and master the record respectively.

HiRUDiN gets:

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