Bad Waitress – No Taste [Streaming]

Today, Toronto’s Bad Waitress dropped their debut album No Taste via Royal Mountain Records.
10 tracks of angsty alternative punk rocking and brooding moody vibe kind of album.

About the album:
Bad Waitress’ debut full-length album, No Taste, finds strength in mood swings, from upbeat “groovin’ down the street” songs like “Strawberry Milkshake” to “I’m gonna fucking punch everyone” songs like “Lacerate,” as Nicole puts it. “It’s good to listen to when you’re walking alone at night. I get really anxious, but I feel powerful when I listen to this album, like I’m fucking untouchable. It’s basically a self-defense album.”

“There’s always a ‘fuck you’ to the man,” Kali says. “The album is a rollercoaster. Every song takes you somewhere different.”

“We definitely don’t run the risk of being pigeonholed with this album,” Katelyn adds. “It really does showcase all of our talents individually and how they come together.”

“I slipped away into a distant void,” the opening track begins. “Rabbit Hole” throws you into a thunderous spiral, riffs ablaze, before “Yeah Yeah Yeah” pummels you down further with its driving guitars, crashing drums, and echoing shouts. By track five, Bad Waitress take on a slightly softer tone. Or maybe they’re just tired: “There’s cynicism, battling with vices,” Katelyn explains. “We’re using past trauma to generate a scathing, badass sound. We’re embracing our demons.”

Traces of Sonic Youth, Fugazi, Yeah Yeah Yeahs, and The Stooges can be heard throughout No Taste. The band also cite jazz as an inspiration. Moon’s background playing improv jazz, blues and swing makes it an essential force, at the core of Bad Waitress’ music and collaborative process. “Moon usually has a weird drumbeat that they’ll play spontaneously, then Nicole will jump in with her whack ass music sensibility on bass, and then Kali will play something that’s super wrong in a good way,” Katelyn says. “And then I’ll make sense of it and find where the chords are. It’s bizarre.”
“Our process is a little bit of everything,” Kali concurs. “I write the lyrics and usually a standard rhythm for the songs and we go from there, sometimes it comes from a jam.”

The closing track on No Taste, “Restless Body,” started with a beer bottle sound experiment. “One night, we were jamming at the label and Kali started fucking around with a beer bottle on the neck of her guitar, making all these weird sounds,” Nicole laughs. “I was adding Sonic Youth-y bass. Moon came in and it turned from an empty beer bottle into a whole epic. A lot of the collaborative songs come from us dicking around in between practice. We all egg each other on, and a lot of good things come out of that.” You can get an idea of the bottle’s tinny resonance on the final product, a guitar solo swirling and crying into the outro, “Restless body, take me home.”

No Taste gets:

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