Today, Montreal artist Thanya Iyer dropped the visual album for KIND which comes out on July 31, 2020 via Topshelf Records.
About the album and visuals:
“To me – the story behind KIND represents a journey. A journey filled with questions that travel around grief, depression, anxiety, racism, disability, chronic pain, healing, self love, and giving that love outwards to the relationships around you. The creature in the film represents yourself, everything that you don’t want to face. But its important to love every part of you, including the parts that are hard to face and difficult to let go of. The journey of loving yourself is supported by your loved ones (your friends, your fam, your community, your people) but at the end of the day you have everything within you, all the strength is inside that you need to help yourselves, love yourselves, honour your good, your bad and the high/low tides of life.”
Crucial questions around healing, cultural identity, and disability are among the many subjects visited by Thanya Iyer’s sophomore album, KIND. Although represented by a concise title, KIND explores an expansive universe where Iyer and her band examine interpersonal relationships, ideas of home and destination, and our collective responsibilities to one another. To aid in this journey of big, difficult questions, Iyer enlists the help of a huge cast of musicians, with guest features ranging from brass trios, vocal sextets, flautists, and harpists.
Underscoring its explorative nature, the constant movement of KIND melds the sounds of experimental pop and improv into a magical amalgam that teems with flashes of jazz and nuanced electronics. Iyer’s rhythm section pulsates with genre-defying palettes of blips and skitters that twist elegantly into the melodic voices of interlocking synth, strings, and piano, all led by Iyer’s enrapturing lilt. The rhythmic direction of bassist Alexander Kasirer-Smibert and percussionist Daniel Gélinas clears a navigable path in an otherwise unnavigable setting, built on the pair’s understated yet intriguing expertise.
The most succinct distillation of the album’s themes is perhaps found in KIND’s tracklist. “Please Don’t Hold Me Hostage for Who I Am, Who I Was” and “Bring Back That Which is Kind to You” inspire philosophies of self-care and emergent reconfigurations of justice, calling on listeners to self-reflect and detach from our preconceptions of ourselves and our identity. At the end of its course, KIND arrives at the conclusion of acceptance and resolve: acceptance of our collective circumstance, and the resolve to make the choice to do better.
KIND gets:
/10.
