As May blossomed, so did the vibrant energy at Club Saw, courtesy of Debaser‘s one-of-a-kind event.
With Montreal’s own Annie-Claude Deschênes, renowned for her work in Duchess Says, gracing the stage, attendees were in for a sonic treat straight from the electro-dance heavens of her latest album, Les manières de table (Table Manners).
Annie’s electrifying performance pulsated through the venue, fueled by captivating synths and infectious beats that had the crowd on their feet, grooving to the rhythm.
But it wasn’t just the music that mesmerized; the visuals accompanying Annie’s set added another layer of immersion, creating an unforgettable audio-visual spectacle.
Setting the stage on fire was the dynamic trio, KAY-fayb. Yolande Laroche, Pierre-Luc Clément, and Linsey Wellman took experimentation to new heights, delivering an electrifying fusion of electro-free jazz that defied convention.
Their performance, accompanied by avant-garde aesthetics, was nothing short of a mind-bending experience, leaving the audience awestruck and craving more.
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